May 13

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Marc Jacobs - Whatever Lola Wants...
 

1 & 2 - The Lola collection...

Eau de parfum spray 50 ml 69€, 100 ml 89€

Sensual body lotion 150 ml 35€

Silky shower gel 150 ml 32€

Luxurious body creme 150g 42€

For all the city flowers...

 

Head notes: pink grapefruit, Anjour pear, pink pepper

Heart notes: peony, fuchsia, roses, geranium

Base notes: Tonka bean, vanilla, creamy musk

 

Perfumer Calice Becker and Yann Vasnier in collaboration with Ann Gottlieb

Bottle design by Marc Jacobs

 

www.lolamarcjacobs.com


Vlaemsch - Better than a Nest
 

Birdhouse, design Emilie Cazin for Vlaemsch
Oak, 200 x 150 x 29 cm

Soon for sale on the brand's website at www.vlaemsch.be

Let's please by all means stop that Tweeting - the birds do it better anyway.

 

www.vlaemsch.be


Pataugas - The Gear To Get
 

1 & 2 - Santa Fe bag, 329€

3- Sidney bag, 379€

With this first, exclusive mini-collection of bags, Pataugas is handing the best of chances to its clients. With the end of the world scheduled for tomorrow, the brand is preventively supplying them with bags that look elegantly rugged,  rather masculine, and whose large capacity and vast modularity will be even more warmly welcome once these bags are used as survival gear to trek across post-apocalyptic deserts, two days from now.
Available colors are hazel, porto, oil blue, black,
taupe, gray, and flecked black.


Info and store locator on www. pataugas.fr


Eirik Johnson - Sawdust Mountain - Aperturehighlight
 

1- Cover

2- Stacked logs in Weyerhaeuser sort yard, Cosmopolis, Washington

3- Adult books, firewood, and truck for sale, Port Angeles, Washington

4- Rogue River, Oregon

 

All visuals are taken from Eirik Johnson's book Sawdust Mountain (Aperture/Henry Art Gallery, 2009)

The rural dream of the woodman's cabin is fast dissolving into a mountain of sawdust.

A native of the Pacific North-West, photographer Eirik Johnson roamed the region for four years. He wandered along the banks of rivers Hoh, Siuslaw, Sol Duc, Elwha; near small towns heavily dependent on the wood and fish trades - Sappho, Aberdeen, Arlington, South Bend; he roved across the whole of Oregon and Washington State, through the clearings left by dozens of trees freshly cut, the abandoned offices of logging companies and the old dams, timeworn, obsolete, sublime, that will keep blocking for a few more years the passage of a half-million fish towards one of North America's most important fluvial ecosystems.

Far from the mythology of the settler, isolated in the heart of an awesome wilderness, yet free to extract from it the natural resources necessary to his survival and subsequent prosperity, and bequeathing this legacy to the ensuing generations, Eirik Johnson's world is a breathless one, asphyxiated by the ravenous appetite of the civilized world. His pictures resist the temptation of sophistication. An approach whose results, raw and seemingly unmanufactured, sometimes recall Joel Sternfeld's recent Oxbow Archive (2008). This mimetic photography,  exquisitely attuned  to the environment it picks up, lets us feel the damp cold that pervades the landscapes we visit. It is our task to distance ourselves, and build our panorama of the earnest Northwest from the pieces Johnson entrusts to us.


Eirik Johnson, Sawdust Mountain, Aperture/Henry Art Gallery, 2009
The book's page on www.aperture.org